The Biography of Piyyut | PopUp Test #3

As we have discussed in class, both during lectures and during the music section, piyyutim (Hebrew liturgical poems) have many dimensions.

Moreover, each piyyut has a distinctive biography, which at the very list includes:

  • a literary history and a publication history
  • an intellectual agenda (involving the interpretation of the Bible, theology, and more)
  • a political dimension (how its performance may bring certain segments of a community together, or not)
  • a spiritual dimension (how its text and performance concur to create a defined link among those who perform it)
  • a musical dimension (how the many musical settings of each piyyut may reflect all of the above)

For today’s assignment, select one piyyut from the ones we have explored in class (also listed below), and write three short paragraphs (max 1 page) describing the following:

  1. Biography and character of the piyyut in as many dimensions possible
  2. How you believe these dimensions come together to create a spiritual impact on those who perform it and on those who participate in its ritual performance
  3. How you would describe the “essence” of the piyyut you choose? (I.e., what is the specific piyyut, text, music, and all, really about?)

As usual, create a document on bDrive and share it with your instructors (spagnoloacht[at]berkeley and yairharel[at]berkeley). Please, include your name in the title of the document. If you do not have a way to post this during class time, do so by midnight tonight.

For your convenience, here is a list of the incipits of the piyyutim that have been performed by the class during the music sections thus far:

  • Kol beruei
  • Shema’ qoli
  • Adon ‘olam
  • Ben adam
  • Rachamana de’anei
  • El eliyahu
  • Amar adonai leya’aqov
  • Qarev yom
  • Simu lev ‘al haneshamah
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