Almost all abstracts/proposals for this semester’s research papers are in (as planned according to the course syllabus). As it is often the case when empowering students to select research topics according to their interests and strengths, the variety of the subjects that will be researched by the class is stunning.
From the aesthetics of 18th-century Kabbalistic musical rituals to the development of synagogue music in South India, from the cultural origins of Israeli secular shirah be-tzibur (communal singing) in nocturnal liturgies to the roles of women in the synagogue, from comparative fieldwork in UC Berkeley Jewish and Catholic student religious gatherings to the study of (religious) nightlife in Israel, Korea, and Las Vegas, our semester seems to be producing a lot of original thinking.
In the midst of this diversity, however, are some core and consistent disciplinary approaches. As outlined since the beginning of the semester, the study of (Jewish) nightlife is necessarily a multi-disciplinary endeavor, and the approaches adopted by the students in the class seems to confirm just that. (Phew!).
Below is a graph the summarizes the disciplinary trends expressed in the abstracts submitted this week:
There are seven groups of papers, listed in order of magnitude:
- Religious studies and ethnomusicology (liturgy and piyyut)
- Area studies (Jewish communities in the global diaspora)
- Musicology (Jews and popular music in America and beyond)
- Musicology (Jews and art music in the synagogue, 18th-20th centuries)
- Comparative studies (ritual and nightlife in Jewish and non-Jewish communities)
- Gender studies (women in Jewish ritual)
- Intellectual history
Now, I guess we will have to wait for the papers to flow in to see the results of this semester’s work. Looking forward…